Open Access‘Speaking’ and ‘silence’ in the memoirs of Petronella van Heerden
Author(s) -
Lizelle Smit
Publication year - 2017
Publication title -
literator
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.126
H-Index - 4
eISSN - 2219-8237
pISSN - 0258-2279
DOI - 10.4102/lit.v38i1.1298
Subject(s) - silence , memoir , lesbian , gender studies , identity (music) , sexual identity , sociology , hegemony , colonialism , politics , human sexuality , aesthetics , history , art , political science , law , art history
Petronella van Heerden’s memoirs have received little academic attention. This article aims to contribute to the limited archive of research on her work to highlight women’s involvement in South African and Afrikaner (de/colonial) politics. It will also explore her manipulation of the autobiographical genre to impart what she considered as important to the Afrikaner youth. My investigation considers Van Heerden’s paradoxical shifts between ‘speaking’ and ‘silence’ regarding feminist issues and her lesbian sexual identity. The article illustrates Van Heerden’s employment of certain writing strategies to critique gender inequality implicit within hegemonic and patriarchal discourses - a central issue of her young life that arguably formed her dissident identity. An examination of the ‘opacity’ pertaining to her portrayal of a lesbian identity in the memoirs is also considered.