Open AccessV.S. Naipaul’s <i>A way in the world</i>: contesting liminality by translating the historical past
Author(s) -
Zhu Ying
Publication year - 2006
Publication title -
literator
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.126
H-Index - 4
eISSN - 2219-8237
pISSN - 0258-2279
DOI - 10.4102/lit.v27i1.181
Subject(s) - liminality , sign (mathematics) , representation (politics) , theme (computing) , history , sociology , aesthetics , order (exchange) , rewriting , epistemology , literature , anthropology , art , politics , philosophy , law , political science , computer science , mathematical analysis , programming language , operating system , mathematics , finance , economics
In this article the concept of liminality is understood in a broad sense to mean the incompleteness of historical representation and the restrained view of reality. The ensuing discussion of the theme will be divided into three parts; each incorporating parts of Paul Ricoeur’s analyses in “The reality of the historical past” (1984). Ricoeur investigates the reality of the historical past under three categories – the Same, the Other, and the Analogue. Under the sign of “the Same”, contesting liminality is first discussed as the re-enactment of the historical past. This re-enactment of the past, however, has differences in the present on account of imaginative reinterpretations and repatternings of documentary evidence. Under the sign of ”the Other”, the second part or the article discusses Naipaul’s strategy of taking distance to counteract liminality in rewriting the historical past from the vantage point of a writer-traveller. Finally, the analysis under the sign of “the Analogue” points out that the commitment to combat liminality implies an unending attempt at rectifying and reconfiguring the historical past in order to accomplish continuity and renewal