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Protest against social inequalities in B.W. Vilakazi’s poem 'Ngoba ... sewuthi' ('Because ... you now say')
Author(s) -
Nompumelelo Zondi,
N. N. Caici
Publication year - 2005
Publication title -
literator
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.126
H-Index - 4
eISSN - 2219-8237
pISSN - 0258-2279
DOI - 10.4102/lit.v26i1.220
Subject(s) - poetry , soul , silence , white (mutation) , law , sociology , colonialism , racism , gender studies , political science , literature , art , theology , aesthetics , philosophy , gene , biochemistry , chemistry
Long before the National Party institutionalised apartheid in 1948, individuals and organisations tried to highlight the injustices of the colonial capitalist system in South Africa, but, as Lodge (1983:6) puts it, “it all ended in speeches”. This article seeks to demonstrate how Benedict Wallet Vilakazi effectively broke the silence by bringing the plight of the black masses to the attention of the world. He strongly protested against the enslavement of black labourers, especially in the gold and diamond mines, that he depicts as responsible for the human, psychological and physical destruction of the black working classes. As a self-appointed spokesperson of the oppressed, he protested against the injustices through the medium of his poetry. One of his grave concerns was the fact that black workers had been reduced to a class with no name, no rights, practically with no life and no soul. The chosen poem “Ngoba … sewuthi” (Because … you now say) is thus representative of the poems in which B.W Vilakazi externalised his commitment to the well-being of the black workers, and his protest against the insensitivity of white employers

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