Open AccessVrouekarakters in enkele prosawerke van C.M. van den Heever
Author(s) -
Elize Botha
Publication year - 2003
Publication title -
literator
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.126
H-Index - 4
eISSN - 2219-8237
pISSN - 0258-2279
DOI - 10.4102/lit.v24i1.279
Subject(s) - sadness , passion , happiness , theme (computing) , beauty , art , girl , art history , literature , reminiscence , philosophy , psychology , aesthetics , social psychology , anger , developmental psychology , linguistics , computer science , operating system
The role of women in some prose works of C.M. van den Heever Re-reading the C.M. van den Heever “classics” Somer (1935) and Laat vrugte (1939) within the framework of Van den Heever criticism through the years, one becomes aware that central themes in his oeuvre are acted out by women. The beautiful young girl Linda in Somer embodies the sadness of the transcience of beauty and happiness. Through Ouma Willa, Betta and Johanna – three women from three generations in Laat vrugte – the theme of the endurance of the memory of love and passion beyond decay and death is expressed. A cursory examination of other and earlier works by Van den Heever – Op die plaas (1927), Langs die grootpad (1928), Kromburg (1937) and the short story “Leuens” (Lies) from Vuurvlieg en sterre (1934) – bears out the observation that women express core meanings in C.M. van den Heever’s prose works