Open AccessThe Visual Representation of the Indian in American Cinema: from the Manipulation of Image to its Conquest
Author(s) -
Anne Garrait-Bourrier
Publication year - 2004
Publication title -
lisa
Language(s) - English
Resource type - Journals
ISSN - 1762-6153
DOI - 10.4000/lisa.2756
Subject(s) - exaggeration , character (mathematics) , movie theater , representation (politics) , conquest , politics , expression (computer science) , ethnic group , order (exchange) , history , literature , art , aesthetics , psychology , sociology , law , anthropology , political science , computer science , psychoanalysis , ancient history , geometry , mathematics , programming language , finance , economics
The Native American ethnic group has always been used and abused, not to say manipulated, by the medium of cinema. Such an exploitation of the image of the Indian responded to the demands of a new form of artistic expression which was extremely graphic and violent, as were graphic and visually violent the first western movies. As an artistic genre, cinema really manipulated the classical stereotypes related to the Indian in order to use him as a « character » detached from any historical reality. It is not surprising though to see that the evolution over time of this widely exploited « character » can be equated to a long wandering from exaggeration to understatement, to eventually reach the political expression of the Indians themselves. All this turmoil and agitation did correspond to the modus operandi of the Hollywoodian « system »