Open AccessFades to Black, Slow Motion and Mismatch—Connection and Disconnection in the Editing of James Ivory’s Howards End (1992)
Author(s) -
Christophe Gelly
Publication year - 2020
Publication title -
études britanniques contemporaines/etudes britanniques contemporaines
Language(s) - English
Resource type - Journals
eISSN - 2271-5444
pISSN - 1168-4917
DOI - 10.4000/ebc.9021
Subject(s) - art , humanities , art history