
“Blotting and Blurring Demons”? The Paradoxical Place of Colour Printing in Blake’s Theory of Art
Author(s) -
Hélène Ibata
Publication year - 2018
Publication title -
xvii-xviii
Language(s) - English
Resource type - Journals
eISSN - 2117-590X
pISSN - 0291-3798
DOI - 10.4000/1718.1144
Subject(s) - humanities , art , philosophy