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Los bailes de jaleo, precedentes directos de los bailes flamencos
Author(s) -
Miguel A. Berlanga
Publication year - 2017
Publication title -
anuario musical
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.101
H-Index - 2
eISSN - 1988-4125
pISSN - 0211-3538
DOI - 10.3989/anuariomusical.2016.71.10
Subject(s) - humanities , art , philosophy
This article discusses the historical connection between flamenco dancing and a kind of solo-dances, which took on special heyday between the last third of the eighteenth century and the fi rst half of the nineteenth. In addition, we argue its connection with other dances in the oldest Spanish theater. Zorongos, vitos, olés, cachuchas... although each of them had distinctive features, they also had some common features that justify they can be called jaleos, jaleo-dances, or theatrical Andalusian dances. \udWe argue that tiranas were just jaleos songs. Furthermore we argue that the first flamenco dances can be considered “gypsized jaleos”, and its progressive technical refinement was due, mainly, to its continuous contact with the theatrical jaleos

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