
Areúsa en <i>La Celestina</i>: De la <i>Comedia</i> a la <i>Tragicomedia</i>
Author(s) -
Bienvenido Morros Mestres
Publication year - 2010
Publication title -
anuario de estudios medievales
Language(s) - English
Resource type - Journals
eISSN - 1988-4230
pISSN - 0066-5061
DOI - 10.3989/aem.2010.v40.i1.307
Subject(s) - art , humanities , political science
Rojas parece atribuir a Areúsa dos papeles distintos en la o militar con el que cohabita en un régimen de amancebamiento permitido por la ley y que era lo más parecido al matrimonio. En la Tragicomedia, en cambio, la convierte en una prostituta clandestina que participa de la corrupción de la justicia para hacer y deshacer a su antojo. En los cinco autos interpolados le acaba otorgando una función muy similar a la que había tenido la fallecida CelestinaRojas seems to Areúsa to attribute two different papers in the work. In the Comedy he presents it as the friend of a military man with the one that lives together in a regimen of concubinage allowed by the law and that was the most similar thing to the marriage. In the Tragicomedy, on the other hand, he turns her into a clandestine prostitute who takes part of the corruption of the justice to make and to undo to her whim. In five interpolated cars he ends up by granting her a function very similar to the one that had had the deceased Celestin