z-logo
open-access-imgOpen Access
Areúsa en <i>La Celestina</i>: De la <i>Comedia</i> a la <i>Tragicomedia</i>
Author(s) -
Bienvenido Morros Mestres
Publication year - 2010
Publication title -
anuario de estudios medievales
Language(s) - English
Resource type - Journals
eISSN - 1988-4230
pISSN - 0066-5061
DOI - 10.3989/aem.2010.v40.i1.307
Subject(s) - art , humanities , political science
Rojas parece atribuir a Areúsa dos papeles distintos en la o militar con el que cohabita en un régimen de amancebamiento permitido por la ley y que era lo más parecido al matrimonio. En la Tragicomedia, en cambio, la convierte en una prostituta clandestina que participa de la corrupción de la justicia para hacer y deshacer a su antojo. En los cinco autos interpolados le acaba otorgando una función muy similar a la que había tenido la fallecida CelestinaRojas seems to Areúsa to attribute two different papers in the work. In the Comedy he presents it as the friend of a military man with the one that lives together in a regimen of concubinage allowed by the law and that was the most similar thing to the marriage. In the Tragicomedy, on the other hand, he turns her into a clandestine prostitute who takes part of the corruption of the justice to make and to undo to her whim. In five interpolated cars he ends up by granting her a function very similar to the one that had had the deceased Celestin

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here