Open AccessAuthorship and authenticity in Sherlock Holmes pastiches
Author(s) -
Sanyqvist
Publication year - 2017
Publication title -
transformative works and cultures
Language(s) - English
Resource type - Journals
ISSN - 1941-2258
DOI - 10.3983/twc.2017.0834
Subject(s) - imitation , style (visual arts) , context (archaeology) , criticism , literature , watson , fandom , art , sociology , aesthetics , history , psychology , computer science , social psychology , archaeology , natural language processing
Rewritings and adaptations of the Sherlock Holmes stories are traditionally called pastiches among fandom. This article juxtaposes that established use with the literary critical notion of pastiche as imitation of style, and shows how stylistic affinity to the originals produces complex effects in the imitations. The article identifies two main strands in the pastiches: one that aims to correct the mistakes and fill in the gaps in the original stories, and one that supplements the canon with stories Watson left untold. Balancing among homage, criticism, and usurpation, the pastiches comment on the original story world and its cultural context, and engage in fictions of authorship to account for the apparent inauthenticity of the retellings