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Ukrainian poetic generations second half of XX century: language-aesthetic analysis
Author(s) -
Hanna Diadchenko
Publication year - 2019
Publication title -
kulʹtura slova
Language(s) - English
Resource type - Journals
eISSN - 2708-9827
pISSN - 0201-419X
DOI - 10.37919/0201-419x-2019.90.10
Subject(s) - poetry , literature , ukrainian , intertextuality , phenomenon , irony , aestheticism , period (music) , aesthetics , art , philosophy , linguistics , epistemology
In the article chronological as well as lingual and aesthetical stratification of the Ukrainian poetry at the end of the ХХ century is observed. With the aim of revealing of the traditional and individual features correlation the notion of the poetic generation is used. The author of the article gives the analyses of the lingual creative activity of the literary generations at the end of the ХХ century such as man of the sixties, seventies, eighties and nineties. It is stressed that the dominant creative principals of the Ukrainian poetry of the period observed are lingual and expressive freedom, indifference towards politics, inequality of the aesthetic programs, stylistic eccentricity, imaginative and aesthetic relativity, creative deconstruction, irony, “antipoetry”, tend to the complicated metaphorics, contiguity, intertextuality. As a result, the poetic creative activity at the end of the XX century is defined as an original, ingenious phenomenon which differs greatly from the national lingual and aesthetic tradition.

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