Open AccessSpindle Whorls: their Symbolism in the Villanovan Cemetery of Quattro Fontanili, Veii
Author(s) -
Kristina Berggren
Publication year - 1993
Publication title -
current swedish archaeology
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.256
H-Index - 8
eISSN - 2002-3901
pISSN - 1102-7355
DOI - 10.37718/csa.1993.01
Subject(s) - pottery , whorl (mollusc) , symbol (formal) , art , analogy , art history , ancient history , literature , history , philosophy , visual arts , biology , paleontology , linguistics , gastropoda
The hypothesis presented in this paper is that the apparently insignificant pottery spindle whorl is a symbol of transformation of death into new life by analogy with mankind's oldest abstract image, the circle, and with the important inventions of pottery making and spinning. This funerary symbolism, which earlier was dominated by the feminine principle, in the Villanovan culture receives the male figure. The Villanovan culture, in Central Italy, is a transition between the old, inward-looking, immobile village and the new expanding Etruscan city-state. During this transition the spindle whorl begins, as an abstract image, to symbolize the feminine principle in the hieros gamos, later represented as the intercourse between the goddess and the god.