Open AccessThe Beauty of Iraqi Shrines and Their Reflection in Iraqi Painting
Author(s) -
Mahmoud Hussein Abdul Rahman
Publication year - 2021
Publication title -
international journal of research in social sciences and humanities(online)/international journal of research in social sciences and humanities
Language(s) - English
Resource type - Journals
eISSN - 2454-4671
pISSN - 2249-4642
DOI - 10.37648/ijrssh.v11i04.015
Subject(s) - painting , terminology , beauty , islam , section (typography) , reflection (computer programming) , sample (material) , statement (logic) , problem statement , aesthetics , visual arts , art , history , political science , law , computer science , philosophy , engineering , management science , archaeology , linguistics , chemistry , chromatography , programming language , operating system
This research deals with the study of (the aesthetics of the Iraqi shrines and its reflection inmodern Iraqi painting) and is located in two axes: The first theoretical axis is devoted to (a statementof the research problem and its importance, its objectives, its limits, and the definition ofterminology). The research problem is summarized in answering this question: What are the aestheticfeatures of the Iraqi shrines? What is the extent of its reflection in modern Iraqi painting? Theimportance of this research was evident in addressing the artistic and emotional beauty of the shrines'status on the individual and their great impact on it, which prompted Iraqi artists to master theirsimulation to be reflected in their many artistic achievements in different ways, so there was anecessary and urgent need for this study represented in leadership in some of its aspects, and it wasnot studied in this way. And to occupy an important place in the national, Arab and Islamic librariesthat deal with this type of study. This axis also included two topics: The first section dealt with theaesthetic features of Islamic architecture represented by domes and minarets, their decoration,sanctity and distinctive colors. However, the second topic dealt with the styles of artists (Ismail AlSheikhly, Widad Al-Orfali, Salman Abbas and Ayath Al-Doori). But the second axis (applied) was concerned with the procedures, as it included (the adultresearch community and its sample models, its method and tool, and the analysis and discussion ofthe sample models). Then the conclusion, which contained the results of the research, conclusions,recommendations, and proposals. Then he mentioned the margins and the most important sourcesthat were adopted in this study.