
CHINESE PAINTING AS A SYMBOL OF CHINOISERIE IN MODERN SOCIETY
Author(s) -
W. Wensziao,
AUTHOR_ID,
Si Li,
F. Atadjanov,
AUTHOR_ID,
AUTHOR_ID
Publication year - 2022
Language(s) - English
DOI - 10.37547/supsci-ojhpl-02-01-01
Subject(s) - symbol (formal) , painting , art , visual arts , art history , aesthetics , linguistics , philosophy
The article highlights general information about chinoiserie in modern society, describes a series of representative Chinese artificial styles, and makes a scientific generalization about the Mogu painting.