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The Alfonso X’s patronage of Gothic architecture
Author(s) -
Tom Nickson
Publication year - 2021
Publication title -
revista de poética medieval/revista de poética medieval
Language(s) - English
Resource type - Journals
eISSN - 2660-891X
pISSN - 1137-8905
DOI - 10.37536/rpm.2021.35.35.88793
Subject(s) - architecture , sketch , style (visual arts) , peninsula , heraldry , history , ancient history , art , art history , visual arts , archaeology , computer science , algorithm
This article examines the architectural patronage of King Alfonso X and the notion of a ‘Court Style’ in thirteenth-century Gothic architecture. Following brief consideration of problems of evidence, I briefly sketch common characteristics of the architectural patronage of Alfonso’s royal rivals and allies across Europe and the Iberian Peninsula. This prompts reassessment of the king’s relationships with mendicant and Cistercian orders, and then detailed consideration of his financial contributions to the cathedrals of Toledo, Burgos and León. Although royal heraldry and imagery is prominent in all three cathedrals, I argue that Alfonso probably did not play a significant role in promoting rayonnant architecture in his kingdom. The most distinctive feature of his patronage lies in his support for work on the converted mosque-cathedrals of Seville and especially Córdoba. Finally, I consider a number of projects associated with Alfonso in Seville, notably the Gothic palace in the Alcázar.

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