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Cartografias violadas. Representações estéticas e políticas na construção do Museu de um Mundo Estilhaçado
Author(s) -
Monica Rodrigues Klemz,
Doris Kosminsky,
Elianne Ivo Barroso
Publication year - 2021
Publication title -
avanca - cinema
Language(s) - English
Resource type - Journals
eISSN - 2184-4682
pISSN - 2184-0520
DOI - 10.37390/avancacinema.2021.a252
Subject(s) - humanities , art , georeference , geospatial analysis , cartography , art history , geography , physical geography
This article investigates, as reference indexes, the audiovisual works Todo mapa tem um discurso, 2014, by Francine Albernaz and Thaís Inácio, Your father was born a 100 years old, and so was the Nakba, 2017, by Razan Alsalah, and Nunca é noite no mapa, 2016, by Ernesto de Carvalho, and analyzes their artistic process from a cartographic and counter-cartographic point of view in the use of artistic data mapping to the project Museu de um Mundo Estilhaçado (Shattered World Museum) that is under research, in the Master of Creative Media at UFRJ, Brazil, and it is related to the production of an immersive installation that deals with the removal of Vila Autódromo, in Jacarepaguá, Rio de Janeiro, and the use of georeferenced and geospatial images to address social and political issues.

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