Open AccessTHE MYTHOLOGIZATION OF THE SECOND WORLD WAR IN CINEMA: THE HISTORIOGRAPHY OF THE USA
Author(s) -
S.O. Buranok
Publication year - 2022
Publication title -
izvestiâ samarskogo naučnogo centra rossijskoj akademii nauk. istoričeskie nauki
Language(s) - English
Resource type - Journals
ISSN - 2658-4816
DOI - 10.37313/2658-4816-2021-4-1-78-82
Subject(s) - movie theater , hollywood , historiography , studio , film genre , ideology , film studies , plot (graphics) , film industry , perspective (graphical) , world war ii , period (music) , government (linguistics) , action (physics) , media studies , key (lock) , sociology , history , aesthetics , literature , art , political science , visual arts , law , art history , linguistics , computer science , philosophy , politics , mathematics , quantum mechanics , statistics , physics , computer security
In historical science, there are three fundamentally different approaches to the problem of analyzing "action films": 1) the study of films as one of the tools of propaganda and ideology. Such works prove that the federal government and Hollywood worked very closely, especially in the period 1939-1945, to create through films the necessary images of war, allies and enemies. 2) the study of films from a cultural perspective, where the relationship between fiction and reality, the author's approaches and concepts of directors, the influence of films on US art is at the fore. The key problems in this category are such problems as the definition of the genre of films, features of the plot, motives and semantic content. 3) the study of departments and structures that create films (primarily, the largest film studios). This direction is associated with the analysis of propaganda, but has a greater emphasis on the study of interactions within the film community.