Open AccessDefinition of Virtual Reality through Creative Act
Author(s) -
Maira Mukhtarovna Pernekulova,
Ayazhan Sagikyzy,
Zhamal Bazilovna Ashirbekova,
Dinara Mukhtarovna Zhanabayeva,
Gaukhar Abdikarimovna Abdurazakova
Publication year - 2021
Publication title -
academic journal of interdisciplinary studies
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.148
H-Index - 5
eISSN - 2281-3993
pISSN - 2281-4612
DOI - 10.36941/ajis-2021-0048
Subject(s) - virtual reality , artificial reality , human–computer interaction , realization (probability) , perception , computer science , space (punctuation) , virtual space , metaverse , relation (database) , homogeneous , multimedia , mixed reality , computer mediated reality , epistemology , mathematics , artificial intelligence , philosophy , combinatorics , operating system , database , statistics
Currently there are many attempts to determine virtual reality which is created by digital technologies. The present article discusses this phenomenon in the creative act. This approach gives an opportunity for the full consideration of virtual reality because the category of reality includes not only digital technologies but subjective perceptions which creates problems in its definition. According to our understanding virtual reality is determined by the relation with the person’s virtual world and digital code. The person’s creative potential is defined, in its turn, as the person’s virtual. In the creative act between virtual reality and creative potential besides homogeneous connection there is an ontological connection and then virtual reality is a medium and a tool for the person’s creative potential realization. In this case the creative act is an actualization of images or symbols, by changing the intensities of the virtual image which results in the transition of the creative potential into otherness- the virtual reality of the code. As the tool of creative reality virtual reality plays the role of the digital technology which alienates the person’s time and space.
Received: 19 November 2020 / Accepted: 4 February 2021 / Published: 5 March 2021