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Exploring Socio-cultural Issues through Code-Switching in the Poetry of Hamid Khan
Author(s) -
Abdul Karim Khan,
Zahir Jang
Publication year - 2020
Publication title -
sir syed journal of education and social research
Language(s) - English
Resource type - Journals
eISSN - 2706-8285
pISSN - 2706-6525
DOI - 10.36902/sjesr-vol3-iss1-2020(67-75
Subject(s) - foregrounding , poetry , code (set theory) , section (typography) , politics , code switching , sociology , sorrow , literature , law , art , linguistics , computer science , philosophy , political science , set (abstract data type) , programming language , operating system
This article focuses on the use of code-switched words in Hamid Khan’s collections of poetry, “Velvet of Loss” and “Pale Leaf” (Three Voices). The incorporated code-switching in Khan’s poetry relate to the socio-cultural issues. Hamid Khan sings the local problems and issues and indirectly tries to resolve the problems faced by his fellow beings. His style is not verbose, yet his poems compel one to ponder over the social and political problems of the day. He does so through the device of foregrounding. The data were collected on the basis of foregrounding. The words that appealed to and attracted the scholar’s attention deviated from normal use of English as they are foreign words. Moreover, the data are tabulated bearing the title of the respective poems and page numbers for ready reference. In addition, the code-switched words are discussed with reference to the issues and themes implied therein. These code-switched words are: Chowkidar, Burqa, Gibranic Sorrow, Deodasi, Abaseen, Swastika and Ku Klux Klan, and Babus. Lastly, the poems containing the foregrounded foreign words (code-switching) are given in the appendix section of the paper for ready reference.

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