Re-animating Post-Digital Cinema: [Animated] Fluidity and Hybrid Aesthetics in Tomm Moore’s Celtic Trilogy | Zendy

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Re-animating Post-Digital Cinema: [Animated] Fluidity and Hybrid Aesthetics in Tomm Moore’s Celtic Trilogy

Author(s) -

Thomas James Schwaiger

Publication year - 2021

Language(s) - English

Resource type - Dissertations/theses

DOI - 10.36837/chapman.000241

Subject(s) - trilogy , celtic languages , animation , art , representation (politics) , movie theater , hybridity , studio , visual arts , aesthetics , art history , literature , history , archaeology , politics , political science , law

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