Critical Vision of the Moroccan Journey

The literary journey depends on the style of its author, which lines her with his views, ideas, culture, and the summary of his experiences, and what they contain of models, visions, and critical images rarely found in other sources, and this is the first motivation for her study, and to identify the stops and critical pictures of her writer, the extent of his interest in it, and the level at which His views were criticized in the context of public criticism. This study dealt with the definition of the trip and its owner, then the nature of criticism in its era, and finally the characteristics of the critical vision in the Moroccan trip, using the historical approach and using the procedures of reading theory. The results of the study were multiple and varied between admiring the writer before admiring the literary work itself, and the opinions that carry a lot of impressionism and generalization in governance, and between objective scientific analysis of literary work indicating its aesthetics and standing on its secrets, and sometimes the reader is involved in drawing conclusions, and deliberately at times, Another is to justify the errors in which the writer falls, as it is concerned with the documentary aspect of many literary works that are not mentioned in other sources and references.