THE SIGNIFICANCE OF M. V. LYSENKO'S COMPOSITION AND CONCERT-PERFORMANCE ACTIVITIES IN THE FORMATION OF THE MUSIC-CULTURAL CONTEXT UKRAINE

The article summarizes the significance of M. V. Lysenko's compositional and concert-performance activity in the formation of the musical and cultural context in Ukraine. The general Ukrainian culture in the years of the second half of the XIX century reaches a new qualitative level of its development. During this period, created a galaxy of prominent writers, artists and musicians, whose activities were aimed at the processes of national and cultural revival of society associated with the national liberation movement in the country. Under this approach, the study of composition and concert-performance activities of M. V. Lysenko in the formation of musical and cultural context in Ukraine is relevant and timely. In different countries of the world Romanticism had its own national specificity. A certain feature was also manifested in Ukrainian cultural romanticism. Its specificity has not yet been determined, although its features in the most general terms in the Ukrainian music of the XIX century were clearly manifested in the national factor. Ukrainian composers of the XIX century in their works have achieved a distinctive identity through the use of national musical folklore. Highlighting Romanticism as an artistic direction of the world level, it must be said that the basis of Romanticism in this regard were the ideas of J. J. Rousseau, who preferred feelings in the inner life of man and in social life as well. In socio-historical terms, the birth of Romanticism is associated with the reaction of human consciousness to the turbulent historical events of the late eighteenth century. The first half of the XIX century, namely: the Great French Revolution (1789–1794), the dictatorship of Napoleon; restoration and the Congress of Vienna of 1814–1815; revolutionary events of the 1820s, 1830s, 1844s.