Open AccessThe Split Identity in Brain Friel’s Play PHILADELPHIA, HERE I COME! )
Author(s) -
Razaq Jumaah Khalaf,
Prof.Dr Sabah Atallah Diyaiy
Publication year - 2019
Publication title -
al-ustād̲
Language(s) - English
Resource type - Journals
eISSN - 2518-9263
pISSN - 0552-265X
DOI - 10.36473/ujhss.v58i4.1016
Subject(s) - identity (music) , feeling , loyalty , dilemma , psychoanalysis , identity formation , sociology , history , gender studies , aesthetics , psychology , law , social psychology , art , political science , self concept , philosophy , epistemology , social science
Colonized people suffer due to cultural struggle and identity loss. Brian Friel (1929–2015) dealt with the consequences of British colonisation of Ireland. This paper explores the fragmented identity in Friel’s Philadelphia, Here I Come!. It depicts the contradicting feelings of a young man who decides to leave his country. Still, he is unable to overcome his emotional loyalty to his past. Friel divides the protagonist into two characters played by two actors on the stage. The memories in the play form an integral part of identity being live images that satisfy inner needs. The characters’ inner conflicts and personal dilemma reflect general social problems.