Open AccessThe Domination of Mother in August Strindberg's The Father and Arthur kopit's Oh Dad, Poor Dad, Mamma’s Hung You in the Closet and I’m Feelin’ So Sad
Author(s) -
Instr.Dr. Sanaa Mohammed Mahdi
Publication year - 2017
Publication title -
al-ustād̲
Language(s) - English
Resource type - Journals
eISSN - 2518-9263
pISSN - 0552-265X
DOI - 10.36473/ujhss.v223i1.316
Subject(s) - closet , dominance (genetics) , section (typography) , genealogy , sociology , history , gender studies , archaeology , biology , biochemistry , advertising , business , gene
Works of art present several types of mothers one of them is the dominant. This research deals with this type of mothers. It aims at highlighting the bad effect of mother's domination over her children and others. It is divided into three sections and a conclusion. Section one; the introduction illustrates the types of mothers and the patriarchal society during the 19th and 20th centuries. Section two discusses the monstrous mother in August Strindberg's The Father and how her excessive domination leads to the madness of the father. Section three sheds light on the monstrous mother in Arthur kopit's Oh Dad, Poor Dad, Mamma’s Hung You in the Closet and I’m Feelin’ So Sad (hereafter Oh Dad) in which the mother turns her son into a killer due to her desire of dominance. The conclusion sums up that both can be considered femmes fatal because of their pernicious impact on those around them, especially members of their families.