Open AccessJ. S. Bach’s Church Cantatas and Church Music Today
Author(s) -
Carolien Eunice Tantra,
Mark Peters
Publication year - 2021
Publication title -
veritas
Language(s) - English
Resource type - Journals
eISSN - 2684-9194
pISSN - 1411-7649
DOI - 10.36421/veritas.v20i1.473
Subject(s) - worship , german , art , christian church , christian music , sacred music , literature , visual arts , classics , christianity , theology , philosophy , musical , linguistics , western philosophy , christian philosophy
How do we as Christians today learn about worship and church music? How do we think about not only what music we will sing in Christian worship, but also the principles that should guide us in choosing and leading church music? Certainly, there are many different ways we answer that question: we study the Bible, we sing the words of the Scriptures, we read what theologians, worship leaders, and scholars of church music are writing today, we attend lectures and conferences by scholars and practitioners of church music. In this article, I offer and explore yet another example of how we live out God’s call in leading music for the Christian church: by studying the example of a faithful Christian musician from the past. My particular example for this article is the German composer and church musician Johann Sebastian Bach (1685-1750). I want to clarify from the start that I am not arguing that J. S. Bach is the best example of a Christian church musician and certainly not that he is the only example. But Bach does offer us one example of a musician who dedicated most of his life to creating and leading music for the Christian church and sought to do so faithfully, creatively, and skillfully.