
The introductory text in the narrative imagination (Sonallah Ibrahim)
Author(s) -
Widad Witwit
Publication year - 2019
Publication title -
journal port science research
Language(s) - English
Resource type - Journals
eISSN - 2616-7220
pISSN - 2616-6232
DOI - 10.36371/port.2019.02.2.10
Subject(s) - narrative , vision , framing (construction) , reading (process) , literature , character (mathematics) , code (set theory) , art , aesthetics , computer science , history , linguistics , sociology , philosophy , anthropology , geometry , mathematics , archaeology , set (abstract data type) , programming language
The introductory text is imaginative, carried out by a fictional character assigned to the author the initiation status, which makes this study the field of operation. Because the initiation is so important as a textual threshold at which two worlds, real and imagined, are entrusted to entice the reader to the world of the text, the writers sought to enrich it by suggestive cards with concentrated interpretability. The opening of the modern narrator has become - consciously - the code for reading the text and imbibing its climates and environments. If the openings of classical novels by framing the investigative and descriptive spatial time, the star of the new novel begged open dynamic where the overlap of possibility of the event and the harbingers of the fates of the characters and visions that make up the text and semantic mandates.