Open AccessEvolutionary Immersion, Digital Arts, Science and Technology
Author(s) -
Raúl Niño Bernal
Publication year - 2015
Publication title -
art research journal
Language(s) - English
Resource type - Journals
ISSN - 2357-9978
DOI - 10.36025/arj.v2i2.7287
Subject(s) - digital art , the arts , byte , computer science , the internet , digital transformation , multimedia , data science , sociology , visual arts , world wide web , art , art history , operating system , performance art
A theoretical defense of aesthetics as an open science, of knowledge from the perspective of computational information and electronic networks. The transformation of technologies vis-à-vis the evolutionary creation and immersion of digital arts and the use of computing poses a wider conception about interaction, participation and visual concepts in terms of an event horizon. Artists and scientists who use the digital medium face two transformation processes in the creative milieu: in the first place, understanding the transformation of the matter used in the past to represent objects and works of art, now with information bytes, computing codes and algorithms. On the other hand, computational technologies used in order to share and transfer knowledge on the Internet, establishing social, academic and scientific ties leading to the creation of immersive relationships that explain a technological and creative evolution. Revision: Leslie H. Damasceno