z-logo
open-access-imgOpen Access
A Theoretical Critique of J.K. Rowling’s Harry Potter Series
Author(s) -
N Jothi,
V. Chanthiramathi
Publication year - 2019
Publication title -
international journal of recent technology and engineering
Language(s) - English
Resource type - Journals
ISSN - 2277-3878
DOI - 10.35940/ijrte.c1109.1083s19
Subject(s) - harry potter , psyche , literature , narrative , art history , art , philosophy , epistemology
Every once in a while, someone comes along and takes the world by storm. This holds true of a skinny spectacled boy with green eyes and a lightning scar on his forehead who first appeared on June 26, 1997. This boy, Harry Potter, captivated a generation of readers and turned them into believers. The success of J.K. Rowling’s Harry Potter Series is not out of luck. It is not because of marketing or popularity. It has immense literary credit as well. This paper is an attempt to analyse J.K. Rowling’s Harry Potter Series as a literary text. In this paper, the researcher proposes the elucidation of literary theoretical concepts like Sign, Langue and Parole, Plot Structure, Binary Opposition, Deconstruction, Narratology, Todorov’s three-part narrative structure, Simulacrum, Marxist concepts, Freud’s concept of Personality, Psyche and Feminism in J.K. Rowling’s Harry Potter Series. This paper is thus proposed as a theoretical critique of J.K. Rowling’s Harry Potter Series.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here