Open AccessDarwinowskie paradygmaty. Kultura popularna w poszukiwaniu teorii wszystkiego
Author(s) -
Dominika Oramus
Publication year - 2011
Publication title -
kultura i społeczeństwo
Language(s) - English
Resource type - Journals
eISSN - 2300-195X
pISSN - 0023-5172
DOI - 10.35757/kis.2011.55.2-3.12
Subject(s) - darwinism , icon , darwin (adl) , narrative , popular culture , creationism , sociobiology , social darwinism , philosophy , epistemology , sociology , literature , art , systems engineering , politics , computer science , law , political science , engineering , programming language
The article attempts to prove that Darwinism in popular culture plays a role of a theory of everything. Bestselling authors of popular science such as Edward O. Wilson, Richard Dawkins and Bill Bryson have acquainted general public with the theory of evolution, and its newest facet — the Modern Synthesis. Darwinian paradigms, as defined by Thomas Kuhn, are also used in popular books on cosmology, sociobiology, psychology, and religious studies. Moreover, the Darwinian grand narrative of evolutional history shapes the way in which contemporary mass culture presents the history of our planet in numerous educational TV series. Last but not least, Charles Darwin himself has recently become a popular icon and the story of his life is remade in a growing number of fiction and non-fiction books and movies.