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Okiem kamery — semiologia obrazów przemocy
Author(s) -
Tomasz Ferenc,
Bogusław Sułkowski
Publication year - 2009
Publication title -
kultura i społeczeństwo
Language(s) - English
Resource type - Journals
eISSN - 2300-195X
pISSN - 0023-5172
DOI - 10.35757/kis.2009.53.4.3
Subject(s) - phenomenon , movie theater , george (robot) , photography , the internet , mass media , art , media studies , sociology , aesthetics , visual arts , art history , epistemology , philosophy , computer science , political science , law , world wide web
The article contains an attempt to analyse the phenomenon of visual violence (iconic) distributed by mass media, like photography, the cinema, television documentaries and news and the Internet. The authors attempt to demonstrate the characteristics of ths type of violence, referring to specific examples, which are interpreted according to the concepts of George Gerbner, Erich Fromm, Susan Sontag, Jean Baudrillard and others. The contemporary iconosphere encourages the practice of the mechanical approach to looking at violence, separating it from ethical reflections, which is why the question of screen violence, on the consequences of rapid but superficial information, seems still worth posing.

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