Open AccessETHICAL AND LINGUOAESTHETICAL RECEPTION OF THE FILM “GIRLS” BY Yu. CHULYUKIN IN RELATION TO THE SAME-TITLED NOVEL BY B. BEDNY
Author(s) -
A.V. Florya
Publication year - 2021
Publication title -
vestnik udmurtskogo universiteta. istoriâ i filologiâ
Language(s) - English
Resource type - Journals
eISSN - 2413-2454
pISSN - 2412-9534
DOI - 10.35634/2412-9534-2021-31-3-456-462
Subject(s) - ideology , commit , relation (database) , subject (documents) , separate spheres , aesthetics , film genre , art , sociology , literature , movie theater , law , political science , politics , computer science , database , library science
The subject of this article is a paradox: the personages of the film “Girls” by Yu. Chulyukin formally commit reprehensible deeds, cause suffering to each other, but the film as a whole makes the cheerful impression. The author analyzes the visual aesthetics of the film in combination with verbal texts - the same-titled novel by B. Bedny and songs on verses by M. Matusovsky. The heroes of the film and the story receive an evaluation in the labor and private spheres of their lives. The article explores the semantic nuances of the concept “good” in a song from the film and in the story “Girls”, elements of the pantheistic aesthetics of the film, and correlation between the ideology of the film and Soviet ideological maxims.