Open AccessPECULIARITIES OF COMPREHENSION OF CHEKHOV’s WORKS IN SPAIN
Author(s) -
A.S. Ogaltsev
Publication year - 2020
Publication title -
vestnik udmurtskogo universiteta. istoriâ i filologiâ
Language(s) - English
Resource type - Journals
eISSN - 2413-2454
pISSN - 2412-9534
DOI - 10.35634/2412-9534-2020-30-6-1072-1077
Subject(s) - comprehension , period (music) , literature , key (lock) , history , linguistics , sociology , art , philosophy , aesthetics , computer science , computer security
The article deals with the process of comprehension of A.P. Chekhov's works in the Spanish culture. It’s based on Russian and foreign sources. The author of the article demonstrates the most significant moments in the understanding of the Russian writer by Spanish literary critics, theater directors and film directors. The article contains a brief overview of key periodicals and books, plays and film adaptations that illustrate the evolution of comprehension of Chekhov's works. Citations of Spanish culture figures, critics, translators and journalists are given by author's translation from their works and interviews. The article illustrates the period from the first mention of Chekhov's name in the Spanish press in 1894 to the nowadays. The author pays special attention to the first screen versions of the Russian playwright’s plays and the most eccentric experimental staging in the capital and provincial theaters of Spain.