Open AccessSYMBOLISM OF THE DOUBLE AS A SOURCE OF PERSONALITY METAPHYSICS IN F.M. DOSTOEVSKY’s CREATIVITY
Author(s) -
Vitaliy Yu. Darenskiy
Publication year - 2020
Publication title -
vestnik udmurtskogo universiteta. istoriâ i filologiâ
Language(s) - English
Resource type - Journals
eISSN - 2413-2454
pISSN - 2412-9534
DOI - 10.35634/2412-9534-2020-30-6-1061-1071
Subject(s) - theme (computing) , philosophy , hero , interpretation (philosophy) , literature , duality (order theory) , metaphysics , personality , epistemology , theology , psychoanalysis , linguistics , psychology , art , mathematics , pure mathematics , computer science , operating system
The article analyzes the symbolism of the Double as a source of personality theology by F.M. Dostoevsky. The novel “The Double” is considered as a paradigmatic text in which the principles of construction of key images in the late novels of F.M. Dostoevsky were formed. The paper uses the ideas of A.A. Ukhtomsky and E.Ya. Golosovker, who proposed a philosophical interpretation of the phenomenon of “duality”. The novel “The Double” is considered as a source of personality theology of F.M. Dostoevsky, since it was the first time that the figurative model of the struggle between man’s personality and mask-face, which most directly reveals the duality of his nature as the created image of God, was developed. The hero’s search for his inner “place” (topos of authenticity) and inner support in the confrontation between the “mask” and then the Double as its ultimate expression is the main theme of the story. The duality of the “nature” of man, who is both the image and likeness of God, and carries the Original sin, is a traditional theological theme and the theme of Christian anthropology. However, by means of fiction it was not developed by anyone in such depth and completeness as F.M. Dostoevsky. “Duality” acts as a special mode of negative self-disclosure of the personality by means of its elimination of its external false identities. The struggle against the Double is the struggle of the true nature of man with his damage by Original sin. Corrupt nature is in the form of masks of Doubles, and genuine - he is fighting them, searching in his soul for the highest type. The masks are overcome only by their positive survival in the inner experience of man. The text of the novel “The Double” is at first interpreted as a “genre of dreams” and as a special “initiation” text aimed at the internal transformation of the reader’s personality.