SPECIFIC FEATURES OF GRAPHICAL STYLISTICS IN THE SACRED TEXTS OF KHANTY “PESNI PЕLYMSKOGO TORUMA”

This article is devoted to revealing of stylistic resource of graphics in printed sacred texts. It also gives opportunities in finding out ways of coding and decoding emotive information. Sacred texts are perfect because they include ancient traditions of oral saving and delivering of information. They contain appeals to the nation traditional Gods. Such texts are always emotional. They have been being a wellhead of highest moral, religious, philosophic and language culture. Text is accompanied by sacred ritual and so it is a language in use. The lines of the Khanty text “Pesni Pеlymskogo Toruma” are the data for analyzing. They are one of the random texts which have graphical form of presentation. This fact could be explained by newly scripted position of Khanty language, by small amount of language data and by strict taboo of ritual participations: not everybody is allowed to be member or attestor of sacred proses for example children, woman, outsider. So, specialness of this research work is firstly investigating of graphical stylistics potential capacity, which is undeservingly ignored in finno-ugric linguistic study, secondly it gives an opportunity to connect graphics with other levels of the sacred texts stylistics. It demonstrates particularity and uniqueness of Khanty people’s sacred texts. For the aim achieving it is necessary to identify the inventory of graphic stylistics. All the results are proved by the Khanty language folklore texts, which are collected and compiled by the specialist in folklore, ethnographer and native language speaker T. A. Moldanova