
Albanian Literary Circle In Italy
Author(s) -
Leka Ndoja
Publication year - 2018
Publication title -
international journal of applied language studies and culture
Language(s) - English
Resource type - Journals
eISSN - 2631-8954
pISSN - 2631-8946
DOI - 10.34301/alsc.v1i1.3
Subject(s) - diaspora , context (archaeology) , politics , emigration , the arts , history , classics , sociology , art history , art , law , political science , archaeology , gender studies , visual arts
Italy's Literary Circle with his creation after the political emigration wave (1945-1990), in the context of Italian - Arbëresh Colony, as a paradigm of the Albanian Literary System during national Revival, was involved in an aggregate of literary and cultural activities. The Literary Circle of Albanian Diaspora in Italy, marked in production, volume, and norm and determined by university institutions of Palermo - Rome - Naples - Bari. Those universities rendered possible the appropriate climate to set up a national literary sub-system model with all systemic components: production, publications and system-creative magazines as Shêjzat [The Pleiades] (august 1957 - 1978), Koha e Jonë [Our Time] (1962-1992); systemic-center authors as: Father Georg Fishta O.F.M.-Ernest Koliqi and Martin Camaj. But, Ernest Koliqi was as the director of the Albanian Studies Institute at Rome University, the master-key of an increasing in the volume of the intercultural activities, as regards the institutional critique, various national celebrations of emigrants, and international symposiums such as the 20-s anniversary of the death of Father George Fishta O.F.M.; or the celebrations on the 500th anniversary of the death of Scanderbeg, in Palermo and Rome (1968). But the main merit of Koliqi was to restore a new Albanian Literary Center in the West and the foundation in Rome of Shêjzat leterary magazine. The Albanian Rome Literary Circle was the counterpart of the National Center of Tirana and sometimes even an antagonist. Various outstanding achievements in the visual arts were celebrated by the painter Ibrahim Kodra with about 20 international awards, as well as the iconographic painter Lin Delia who took part in some audiences with the Pope Pole VI etc... First Koliqi and then Camaj after his death took literary - cultural studies within the Albanian districts of Italy, tracing the genealogy of the Arbëresh migration in the United States in the years 1974 - 1986. After Koliqi’s death in January 1975 and the final departure of Camaj from the Italy Circle as e professor of the Albanian Language at the University of Munich (1978), closed the frame of four decades of the Italy Literary Circle as the core of the Literary Diaspora Sub-system.