Open AccessThe Epistemology of “Contemporary Art” Noumenon
Author(s) -
Yuan Cheng
Publication year - 2020
Publication title -
global journal of science frontier research
Language(s) - English
Resource type - Journals
eISSN - 2249-4626
pISSN - 0975-5896
DOI - 10.34257/gjsfrivol20is1pg1
Subject(s) - contemporary art , consciousness , epistemology , aesthetics , sociology , contemporary society , cognition , phenomenology (philosophy) , identity (music) , psychology , philosophy , social science , history , art history , neuroscience , performance art
“Contemporary art” is universal, but in international commonality, Chinese contemporary art has its specific problems that it faces: this includes scientific falsification and critique of artistic conspiracy and deception, highlighting the contemporary nature of contemporary art’s cognitive function, and connecting relationship with theory and practice,history and logic between contemporary art and artistic phenomenology, such as “world 2,” “practice-spirit” and behavior, installation, etc., thus welcoming the world identity of “cognitive experience”and “spiritual practice.”From the above three parts, the article identifies, “contemporary art” is a view of problem consciousness, concept, and human beings’ independent personality and dignity. On the historical approach and value orientation, she is not only a historical uplift to the function of art cognition but also a historic approach and representation of the era of “cultural experience” and“civilized practice.”