Fragment rękopiśmiennego utworu Wykład nabożny piosnki „Salve Regina” (poł. XVI wieku) Jerzego Argiglobyna w kontekście reformacji. Nazwy sekwatywne i nazwy własne.

The aim of this paper is to present a fragment of Wykład nabożny piosnki „SalveRegina” (A pious interpretation of the song “Salve Regina”), a ca. mid-16th-centurymanuscript by Jerzy Argiglobyn, in the context of the Reformation by means ofa lexical and semantic analysis of the sequative names (Lat. nomina sequativa) andproper names occurring there. The selection of the fragment was determined by thefact that, on the one hand, it is the essence of the discussed manuscript as a polemicwork, which arises from the accumulation of references to the Reformation, andon the other hand, this fragment is the most problematic one when it comes toa lexical and semantic analysis. The author of the manuscript, when referring tothe Reformation, enumerates the names of the theologians associated with it andmentions the places important to the new faith and the followers of the proliferatingReformation denominations. He provides each piece of such information ina manner presenting it in a negative, at times even insulting, light.