Open AccessAt the Mercy of Gaia: Deep Ecologial Unrest and America’s fall as Nature’s Nation in Kingdom of the Spiders
Author(s) -
Jacob Lillemose,
Karsten Wind Meyhoff
Publication year - 2015
Publication title -
culture unbound
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.256
H-Index - 7
ISSN - 2000-1525
DOI - 10.3384/cu.2000.1525.1572386
Subject(s) - relation (database) , vision , modernity , anthropocentrism , kingdom , civilization , power (physics) , ecology , sociology , environmental ethics , history , aesthetics , philosophy , epistemology , anthropology , biology , archaeology , paleontology , physics , quantum mechanics , database , computer science
This paper looks as the animal horror genre as a way to discuss current notions of ecology in relation to a specific American idea of being "Nature's Nation". The central work for the discussion is the movie Kingdom of the Spiders (1977) by John Cardos, which depicts how a small Arizona town is taken over by a "swarm" of tarantulas. Without any obvious explanation the spiders slowly but steadily invade the town and start killing both other animals and humans until they have completely covered the town in their web. The paper connects the movie to a long tradition of fiction describing how nature turns on humans and reverses the power relation be-tween man and nature that is fundamental to modernity. Moreover, the paper connects the movie to Maurice Maeterlincks ideas of swarm communities as mani-fested by ants and termites to argue that these communities are ecologically superior to the the communities of man-made civilisation. Finally, the paper discusses Kingdom of the Spiders and animal horror in general in relation to recent ideas of non-human ecologies and critiques of anthropocentrism and makes the point that these works of fiction serve as both dramatic and philosophical visions of a world without humans