Open Access’We Have Become Niggers!’: Josephine Baker as a Threat to Viennese Culture
Author(s) -
Roman Horák
Publication year - 2013
Publication title -
culture unbound
Language(s) - English
Resource type - Journals
ISSN - 2000-1525
DOI - 10.3384/cu.2000.1525.135515
Subject(s) - mass culture , racism , art history , expression (computer science) , art , popular culture , sociology , history , gender studies , aesthetics , religious studies , literature , anthropology , philosophy , computer science , programming language
Early 1928 Josephine Baker, by that time a famous dancer and singer, came to Vienna to be part of a vaudeville show. Even before her arrival the waves went high – her possible presence in Vienna caused a major uproar there. Various com-mentators constructed an image of Baker that was based on the assumption that she was seriously attacked on the values of traditional European culture and, furthermore, true Viennese culture.\ud\udIn my essay, where I address the Viennese Negerskandal more directly, I explore the various discourses that produced this ‘event’ along the interface of mass culture/avant-garde and high/low culture. It is evident that these events centre on a construction of ‘blackness’ and of ‘black cultural expression’; it goes without saying that racism and sexism play a central role.\ud\udI will, however, try to contextualize the ‘nigger scandal’ in a broader setting: against the background of Vienna in the late 1920s the perceived threat of ‘Americanisation’ will be discussed