
Animosity towards Women in Eudora Welty's Literary Canon
Author(s) -
Mahameed Mohammed
Publication year - 2021
Publication title -
international journal of arabic-english studies
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.26
H-Index - 3
ISSN - 1680-0982
DOI - 10.33806/ijaes2000.21.2.13
Subject(s) - eudora , humiliation , consciousness , identity (music) , aesthetics , sociology , gender studies , psychoanalysis , art , psychology , history , literature , social psychology , neuroscience
The paper investigates Eudora Welty’s concept of animosity towards women in her fiction. Her novels and short stories portray rape, sexual exhibitionism, sexual threats and brutality as inhuman experiences that sarcastically result in a vicious conversion of indignity and humiliation to the female sufferer instead of the male perpetrators. Welty suggests that this context creates a sense of intolerance which acts as a destroyer of women’s identity and sense of self. In this paper, the researchers attempt to reveal the mechanisms that subvert women’s sense of identity in a world usually controlled by men. Welty’s vision, in this sense, is that the social consciousness of the woman does not only evolve from the personal consciousness, but also intricately interacts with it. Welty’s works that are central to this study include Delta Wedding, The Robber Bridegroom, and the short fiction, including The Whole World Knows and Sir Rabbit.