Open AccessThe Semantic Explicitization of the Musical Text in Work with Beginner Guitarists
Author(s) -
Vladimir E. Okhotnikov
Publication year - 2020
Publication title -
ikoni
Language(s) - English
Resource type - Journals
eISSN - 2713-3095
pISSN - 2658-4824
DOI - 10.33779/2658-4824.2020.3.107-120
Subject(s) - musical , composition (language) , context (archaeology) , key (lock) , computer science , vocabulary , interpretation (philosophy) , musical composition , linguistics , visual arts , art , history , philosophy , computer security , archaeology , programming language
The procedure of interpreting the content of the musical composition studied in a performance class is often reduced to reconstituting the version created by the instructor. The foundation of the joint interpretation with the pupil of the compositions may be served by the process of functioning of semantic fi gures in the context of the musical theme. Its semantic organization is impossible without turning to the foundational concept of semantic analysis — the intonational lexis, which summate the perceptions of the intonational vocabulary of the composer and the musical work he created. Thereby, the semantic explicitization must be the basis for objective analysis of the musical composition’s fi gurative-content aspect. The article examines the performers’ interpretations of musical compositions in beginners’ guitar classes on the basis of analyzing the musical text’s semantic structures in classical and contemporary music. For the beginner musician application of technique of semantic analysis will become a reliable source for a joint search for performance solution together with the instructor.