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Wildness and Order Duke Ellington’s “Happy Go Lucky Local”
Author(s) -
Alan Shapiro
Publication year - 2020
Publication title -
ikoni
Language(s) - English
Resource type - Journals
eISSN - 2713-3095
pISSN - 2658-4824
DOI - 10.33779/2658-4824.2020.1.041-045
Subject(s) - cult , musical , order (exchange) , perspective (graphical) , art , art history , wildness , aesthetics , philosophy , visual arts , theology , ecology , finance , economics , biology
This article (with musical links) looks at one of the important compositions of Duke Ellington from the mid-1940s through the perspective of Aesthetic Realism, the philosophy founded by the American critic and poet Eli Siegel. The basis of this approach is that when a work of art in any fi eld is good or beautiful, the reason is that it puts opposites together, opposites that are in the structure of reality as a whole and that every person is hoping to make sense of. This is true of Ellington’s “Happy Go Lucky Local”: it is wild and organized, repetitive and surprising, cacophonous and orderly. It is musical evidence that diffi cult, even unbearable things can be seen with form, seen beautifully.

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