Open AccessGuitar activity of Ukrainian physician Mykhailo Polupaienko
Author(s) -
Viktor Arkadievich Palamarchuk
Publication year - 2019
Publication title -
naukovì zbìrki lʹvìvsʹkoï nacìonalʹnoï muzičnoï akademìï ìmenì m. v. lisenka
Language(s) - English
Resource type - Journals
ISSN - 2310-0583
DOI - 10.33398/2310-0583.2019.44.130.142
Subject(s) - guitar , repertoire , ukrainian , identity (music) , st petersburg , visual arts , persona , linguistics , art , history , sociology , literature , humanities , aesthetics , acoustics , philosophy , russian federation , physics , regional science
Ukrainian guitarist Mykhailo Polupaienko's persona is investigated inorder to make creative profile of this musician. To achieve the objective wascollected biographical data, repertoire and composers portfolio, informationabout connections of the guitarist with other musicians. Contemporary guitarhandbooks and photos of the musician and his colleagues were also subjectsof investigation in order to figure out features of his guitar techniques.Hypothesis about dr. Polupaienko's fingering principles were proposed,along with definition of general stylistic direction of his repertoire. Lot ofattention were put to design peculiarities of his guitar, analyzed hypothesisabout origin of the instrument and luthier identity. It is proven based oncollected data that dr. Polupaienko belongs to school of J. Decker-Schenk,Petersburg's guitarist of Austrian origin. Specific features of guitar technique of J. Decker-Schenk's school and it's representative dr. Polupaienko arediscovered. It is perspective to further investigate pieces and arrangements bydr. Polupaienko as it will help to detect features and peculiarities of hiscomposing approach.