Open AccessThe Form and Meaning of Gondang Si Boru Nauli Basa in Batak Toba Traditional Ceremony
Author(s) -
Robert Paulus Pandiangan,
Pulumun Peterus Ginting,
Wiflihani
Publication year - 2021
Publication title -
phonologie :/lakhomi journal/phonologie
Language(s) - English
Resource type - Journals
eISSN - 2774-311X
pISSN - 2774-4701
DOI - 10.33258/lakhomi.v2i3.508
Subject(s) - ceremony , clan , tribe , meaning (existential) , entertainment , history , genealogy , art , visual arts , sociology , anthropology , archaeology , philosophy , epistemology
This study aims to determine the form and meaning of the gondang Siboru Nauli Basa in traditional ceremonies of the Toba Batak people in the village of Salaon Tonga-tonga. The theoretical basis in this study discusses about gondang, gondang siboru nauli basa, gondang hasapi, traditional ceremonies, the form of gondang siboru nauli basa, the meaning of gondang siboru nauli basa. November 2020 to December 2020. This study determined the population of the Community who attended the hahomion ceremony in the village of Salaon Tonga-tonga, and set a sample of 7 people. The data collection techniques used in this study included observation, library research, interviews, documentation, and analysis. with data reduction techniques, data presentation, drawing conclusions. From this study, the results obtained include: The form of gondang siboru nauli basa, served using musical instruments hasapi, garantung, sullim, sarune hetek, hesek, and gondang siboru nauli basa is an instrumental music played to summon the spirits of deceased ancestors, this event still carried out until now (2020) especially in the silalahi clan as a tradition in the Toba Batak tribe, the function of the gondang siboru nauli basa in the hahomion ceremony is as a function of emotional expression, a function of cultural continuity, and an entertainment function.