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Minimal Departures: Narratives of Younger Female Mobility in Late Nineteenth- and Early Twentieth-Century Italian Children’s Literature
Author(s) -
Rita Caviglioli
Publication year - 2015
Publication title -
quaderni d'italianistica
Language(s) - English
Resource type - Journals
eISSN - 2293-7382
pISSN - 0226-8043
DOI - 10.33137/q.i..v35i2.23618
Subject(s) - vagrancy , narrative , abandonment (legal) , relocation , emigration , history , apprenticeship , gender studies , identity (music) , representation (politics) , social mobility , genealogy , sociology , literature , political science , art , social science , law , aesthetics , computer science , archaeology , programming language , politics
Mobility narratives in late nineteenth- and early twentieth- century Italian literature for children reflect the dramatic conditions of vagrancy, abandonment and forced relocation, as well as the situation of child-labor exploitation and child trade through apprenticeship contracts. They also document experiences of mass emigration. In my essay I intend to: i) acknowledge that children’s conditions have been the object of an extensive multi-disciplinary debate in the 1800s and early 1900s; ii) briefly discuss the specifics of Italian children’s literature and the representation of young male mobility; iii) identify some recurring narrative patterns of female (im)mobility; iv) point to three specific narrative plots that relate the mobility of younger female characters to national-identity and national-development issues; v) analyze two of these narratives, Maria Messina’s Cenerella and Olga Visentini’s La zingarella e la principessina, which were written during or in the aftermath of World War I.

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