
THE WALL
Author(s) -
Hassnaa Othman Mohammed
Publication year - 2018
Publication title -
in:cite journal
Language(s) - English
Resource type - Journals
ISSN - 2562-265X
DOI - 10.33137/incite.1.28853
Subject(s) - downtown , square (algebra) , government (linguistics) , social media , economic justice , state (computer science) , media studies , law , political science , sociology , criminology , history , archaeology , linguistics , philosophy , geometry , mathematics , algorithm , computer science
On January 25, 2011, Egyptian youth protestors took to the squares and streets in all the major cities of Egypt, asking for “bread, freedom, and social justice.” A few days after, when marches across Egypt ballooned, the protesting youth felt empowered to topple the oppressive Mubarak regime that had lasted for close to 30 years. In a collective effort, they gushed into Tahrir Square in downtown Cairo, and the streets in its vicinity, to ensure that their needs were known and to demand that they be met. The subsequent series of events included the first fair election in the modern history of Egypt, followed by the military coup.
Throughout these events, street art and social media became the main two mediums of public expression and news sharing. The walls of the streets surrounding Tahrir Square were very dynamic, changing with every new incident to communicate the tragedies that the state media refused to circulate. One of the walls, a wall on the street leading to Muhammed Mahmoud Street, was particularly interactive.
This poem addresses the resistance of the inspired youth protestors against the government before and after the military coup.