z-logo
open-access-imgOpen Access
„Borg er byggð. Og byggð er borg.“
Author(s) -
Hólmfríður Garðarsdóttir
Publication year - 2018
Publication title -
ritið
Language(s) - English
Resource type - Journals
eISSN - 2298-8513
pISSN - 1670-0139
DOI - 10.33112/ritid.18.2.1
Subject(s) - icelandic , narrative , solitude , garcia , humanities , sociology , art history , philosophy , art , literature , linguistics
This introductory chapter focuses on the multiple and diverse representations of urban communities and their infinite complexity. Firstly, the chapter introduces samples of recent representations of the city of Reykjavík, from Icelandic artists and scholars. Then the focus shifts to Enrique del Acebo Ibáñez´s theoretical ideas, as revealed in his book Sociología del arraigo: Una lectura crítica de la teoría de la ciudad (1996), (Sociology of Rootedness: Theories on the Origin and Nature of Urban Communities), translated into Icelandic in 2007, where he discusses the complex phenomenon of the “city” and questions the role of its inhabitants. His reflections substantiate previous theories of scholars such as Ferdinand Tönnies, Emile Durkheim, Georg Simmel, Oswald Spengler, René König and Henri Lefebvre, whose writings are introduced and discussed in the chapter as well. Finally, the chapter applies a critical approach to a brief analysis of well-known Latin American narrative readily available in Icelandic, such as One hundred years of solitude (Cien años de soledad, 1967) by Gabriel García Márquez, The House of the Spirits (La casa de los espíritus, 1982) by Isabel Allende, and Amulet (Amuleto, 1999) by Eduardo Bolaño.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here