Open AccessImproving the Dance Performance Space in the Pandemic Era through Benjang Mask in Bandung Society
Author(s) -
Santi Salayanti,
Sri Rochana Widyastutieningrum,
Sunarmi Sunarmi
Publication year - 2021
Publication title -
art, design, and built environment conference series
Language(s) - English
Resource type - Journals
ISSN - 2809-641X
DOI - 10.33005/adbe.v1i.5
Subject(s) - space (punctuation) , dance , feeling , pandemic , aesthetics , element (criminal law) , everyday life , value (mathematics) , sociology , covid-19 , computer science , psychology , visual arts , art , political science , social psychology , law , medicine , disease , pathology , machine learning , infectious disease (medical specialty) , operating system
The Benjang performance design after the pandemic has the essence of design value as a medium to get closer to God with the Benjang philosophy, "Bersih hate Handap asor." The concept of "space" and "place" in Benjang's performance during a pandemic is an essential element that cannot be separated from supporting human space. The place element is a constituent component in every performance. Currently, we are in a phase to develop a cultured life, which is Space and more as a place to prove they exist and realize the essence of everyday life after the pandemic. The use of Space in Benjang performance is by the presence of movements with various rhythms and characters who have their respective roles carried Space, which are isn from the personal feelings of each player.