Double P! Public Spaces in Dubai: a Paranoiac Panopticon

Despite the crisis of the metaphoric growth of its superficiality to its deadening sterility, Dubai stands as an attractive destination in the desert simulating a collage of cultural images from around the world with a centrally-planned free market capitalism attracting investors and developers. This paper is part of my master in architecture thesis at Politecnico di Milano titled: 5km/hr Manifesto and it outlines the problematical aspect of Dubai DNA: Dubai public spaces. The city is metaphorically analysed, as a collage city of exogenous fragments and a system city resembling a biological cell with defects in it’s the so-called public spaces that are designed as a model of a virtual panopticon of social surveillance forged by a set of do’s and don’ts. Built up rapidly over the past few years on the wealth gotten from oil, public spaces in Dubai have no depth of history or indigenous culture, no complexity, no conflicts, no doubts, nothing to stand in the way of its being shaped into the ultimate wonderland. The Arab notion of public has been dramatically ignored in the planning of the city and has been replaced with a collage of regulated western modernist spaces that have failed to create pockets of interaction and communication bringing in mind a problematical situation and an utopic question: How to demystify the panopticon effect and make Dubai more liveable? This leads to the recall of the qualities of the endogenous Arabic Public Space: The Souk. A set of characteristics has been concluded and if integrated, might really change Dubai public spaces from a paranoic panopticon to a more liveable space. Enclosure and privacy, human scale and density, the stage and back stage effect were essential conditions in the souk and are elaborated in this paper presenting a set of new design guidelines for claiming back what is supposed to be public and might develop into further future research.