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El cuerpo abortado: retórica fotográfica en la película Roma.
Author(s) -
César Antonio Camacho Gámez
Publication year - 2021
Publication title -
sincronía
Language(s) - English
Resource type - Journals
ISSN - 1562-384X
DOI - 10.32870/sincronia.axxv.n80.28b21
Subject(s) - rhetoric , connotation , semiotics , meaning (existential) , photography , art , humanities , literature , art history , visual arts , philosophy , linguistics , epistemology
This work analyzes Rome, by the director Humberto Cuarón, is analyzed through an image rhetoric according to Roland Barthes. It is a study about the connotation of a filmic body in the construction of sense. It approaches photography semiotics to the transmission of cinematographic messages applied to the Halconazo scene in order to interpret the meaning of the reference of the Corpus Christi massacre.

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